‘Show, don’t tell’ is classic advice for writers – something like a ‘golden rule’, delivered with complete surety and an authoritative tone by the last generation of authors to the next. This ‘set in stone’ approach drives many authors to try and pick it apart, but it’s survived so long for a reason: it is good
The victim of a murder mystery story is a unique breed of victim. Usually, the death of a character at the hands of another comes at the emotional climax of a story. Even some painfully misunderstood villains can choke us up a little when they finally meet their demise. A murder mystery victim’s death, however,
Writing isn’t always a smooth process. Whether you’re a sprinter like Anthony Burgess, who scribbled out A Clockwork Orange in just three weeks, or more of a marathon runner like Victor Hugo, who spent twelve long years gestating Les Miserables until it was just right (or “très bien”, as Hugo might have said), you’re always susceptible to
Hitting rock bottom. The whiff of death. The point of no return. Whatever term you prefer to describe it, you’ll certainly have come across countless ‘All Is Lost’ moments in fiction. It’s the moment when Frodo loses his nerve to throw the One Ring into the fires of Mount Doom. The moment when Charlie Bucket
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