What Is ‘Fridging’, And How Can You Avoid It? - A man opens the fridge to discover a woman, who says 'spoiler alert'.
Writing
Robert Wood

What Is ‘Fridging’, And How Can You Avoid It?

What set your character on their path through the story? Yes, they should have a goal, but why is that goal so important to them? What kind of event is enough to justify telling a whole story about the reaction? A talented author can turn pretty much any event into a justifiable reason to follow

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The Unexpected Benefits Of Working With A Tiny Cast - A protagonist looks down on a range of tiny characters.
Writing
Rebecca Langley

The Unexpected Benefits Of Working With A Tiny Cast

Characters, and the relationships between them, are essential to a good story. Sometimes, stories require, or at least tolerate, a large cast. Other times, medium is a better fit – lots of variety and options for location and activity, but more intimate than the A Song of Ice and Fire cast. Then there are the occasional stories

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Five Things George R. R. Martin Can Teach You About Writing - George R. R. Martin waves, imagining a dragon flying away.
Writing
Fred Johnson

5 Things George R. R. Martin Can Teach You About Writing

Twenty years ago, you might not have heard of George R. R. Martin, who, at that time, would have been merely the author of the modestly successful fantasy novel A Game of Thrones. In the years following, he would produce the sequels A Clash of Kings, A Storm of Swords, and A Feast for Crows,

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Sympathy Isn’t Empathy – Here’s Why That’s Your Problem - A young girl offers an old woman a flower.
Writing
Robert Wood

Sympathy Isn’t Empathy – Here’s Why That’s Your Problem

Taste is subjective, but at the core of whether or not a book finds an audience is its ability to invite the reader in; to become an experience the reader is having, rather than just a second-hand account. Achieving this feat is usually a mix of content and style, but if it’s something you want

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