Writing a thriller is a dangerous game. Why? Because success is a binary process. Other genres allow for compelling ideas to stand out against lackluster writing, or for amazing characters to charm readers through the boring bits of the plot, but a thriller reader is either thrilled or they aren’t, and that’s the ball game.
Sometimes, it’s the way you tell a story that makes it special. That’s what turns a simple act of revenge into a labyrinthine murder mystery, or a comical misunderstanding into a grand farce. Because of this, it can be helpful to consider not just the events of your story, but the most effective way they
Few genres have such a distinctive look and feel as noir fiction. A successor of ‘hard-boiled’ or ‘pulp’ fiction, you’ll know the conventions of noir even if you’ve never read The Maltese Falcon or The Big Sleep – seedy urban underbellies, trench-coat-clad PIs, cigarettes, femme fatales, whiskey, flickering streetlights casting white pools on Chicago streets, nihilistic
Horses, mounts and other kinds of steed are the forgotten heroes of an adventurer’s story, but even when charging through crowds of orcs and goblins, they’re often the most unrealistic creatures in it, too. Thanks to Hollywood, we’re accustomed to seeing cowboys riding from sunrise to sunset without pause, or wild steeds successfully wrangled and
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