Case study

NaNoWriMo Week 4: How To Conclude Your Story - A middle-aged author works frantically on his book.
Writing
Robert Wood

NaNoWriMo Week 4: How To Conclude Your Story

Hello authors, and welcome to the fourth article in our month-long National Novel Writing Month coverage. This is the last full week of writing for NaNoWriMo, so this week we’ll be looking at how to start wrapping up your story and make the most of your remaining writing time. As you plan the next (almost)

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Adding A ‘B Plot’ Is The Simple Way To Improve Your Story - Two characters cheer. One is a barbarian with a sword, the other a chef with a pan.
Marketing
Robert Wood

Adding A ‘B Plot’ Is The Simple Way To Improve Your Story

Sometimes, two plots are better than one. As much as brevity and (comparative) minimalism generally reveal the best form of a story, there are occasions where your central plot will benefit from being paired with a back-up narrative. These secondary narratives, generally less complex than the main narrative and focused on supporting characters, are often

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Does Your First Line Really Matter? - An author reads their first page, imagining a dark and stormy night, and looks unsatisfied.
Writing
Rebecca Langley

Does Your First Line Really Matter?

Ever spend a day’s worth of writing time on your first line? If so, you’re not alone; many authors believe their story will live or die on the strength of their first line. They’re not completely wrong – your opening does matter – but it’s not the all-or-nothing affair many people imagine. Not only that,

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Surprising Ways To Use Happiness In Storytelling (And How To Get Them Right) - An author writes, imagining herself running through a field of flowers.
Writing
Paige Duke

Surprising Ways To Use Happiness In Storytelling (And How To Get Them Right)

Happiness. It’s not – at face value – a likely theme for the novelist. – Robert McCrum, ‘Where is happiness in 20th-century fiction?’ from The Guardian Conflict is the fuel of fiction, the engine that keeps the story surging forward. But ‘all drama, all the time’ makes for an unrealistic reading experience and a pace

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