Dialogue

8 Clichés That Are Killing Your Dramatic Dialogue - A reader opens a book, seemingly irritated by the dialogue.
Writing
Robert Wood

8 Clichés That Are Killing Your Dramatic Dialogue

Sometimes, improving your writing is a case of learning craft, and sometimes it’s just about knowing what to tackle when you edit. Dramatic dialogue can benefit from both so, in this article, I’ll be outlining eight clichés to edit out of your work, as well as exploring the logic behind why they’re such a problem.

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Is Parallelism What Your Story’s Missing? - Two characters stand in the same pose. One is a ballerina.
Writing
Rebecca Langley

Is Parallelism What Your Story’s Missing?

Parallelism is a useful tool for enhancing syntax and even improving your story’s overall structure, but that doesn’t mean it’s always easy to use. In its most basic form, parallelism means using successive linguistic constructs that corresponded in terms of meter, meaning, grammatical structure, or sound. The intent is to add balance and rhythm to

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Why Do Boring Scenes Start With “Hello”? - One character greets another, but they don't look away from their newspaper.
Writing
Robert Wood

Why Do Boring Scenes Start With “Hello”?

Hello, reader. How have you been? Ah, good. Yeah, I’ve been great. Anyway, in this article we’ll be discussing why boring scenes start with one character greeting another. Whether ‘hey’, ‘hi’, or ‘salut’, looking out for greetings can be a great way to detect that your dialogue isn’t quite ready for print. Here’s why. Hello

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Why You Need To Consider Register In Your Writing - A pompous character speaks, emitting a sound that reads 'BLABLABLA'.
Marketing
Rebecca Langley

Why You Need To Consider Register In Your Writing

Most of us are familiar with register, even if we haven’t called it by that name. It’s a term that refers to the formality of language, and it’s easily recognizable in the difference between a cover letter for a resume and the email you send your best friend. The ability to vary your register isn’t

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