One of the biggest hurdles when improving a story is moving past its original form. While authors instinctively set to work improving character, dialogue, description, action, and voice, most consider the first plot structure they set down on the page to be the definitive version. As a consequence, important elements of a story are improved,
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How do you introduce a character? With an action, with dialogue, via someone else, before they’re even in the scene? The ideal approach depends on the story, but a character sketch – a short passage that focuses on an immediate, extensive description of who the character is and what they look like – is perhaps
When you see the words ‘reader trust’, it’s pretty obvious what they mean. When a reader approaches a new work they have no way to know that they’ll enjoy it. In fact, they have no way to know that it’s something they won’t find boring, offensive, or even distressing. Part of consuming art is taking
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