Editing

Psychology 101: Knowledge That Will Improve Your Writing (Part 1) - An author holds up their brain, which is thinking about writing.
Marketing
Robert Wood

Psychology 101: Knowledge That Will Improve Your Writing – Part 1

For many authors, psychology is a godsend, lending them new insights into the workings of the human mind that take their work to the next level. Not only that, but many psychological theories and experiments make their way into the cultural landscape, shaping what readers expect from their stories and what’s considered realistic in fiction.

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What You Need To Know About Formatting Your Own E-Book - An author uses scissors and glue to put together an e-book.
Publishing
Fred Johnson

What You Need To Know About Formatting Your Own E-Book

So, you’ve just finished your novel. You’re ready to lie down, have a little cry, sleep for a week, and then put it up for sale. Not so fast – you’ve still got to jump the indie author’s final hurdle. That Word/Scrivener document is going to need to be formatted and optimized, otherwise you’ll end

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How To Avoid Writing A Mary Sue Protagonist - An image reminiscent of Star Trek, in which two crew members fall to their knees in praise of another.
Writing
Robert Wood

How To Avoid Writing A Mary Sue Protagonist

We’ve written before about making sure your protagonist is interesting enough – that they have goals, a personality, and compelling flaws. They’re all essential steps to putting your reader in the company of someone they want to spend time with. Unfortunately, writing a great protagonist is one of the hardest tightrope walks of writing, and

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Why Your Story Desperately Needs... A Revelation! - A character pulls the head off a chicken costume only to find an acquaintance underneath.
Writing
Hannah Collins

Why Your Story Desperately Needs… A Revelation!

Whether you think of it as an epiphany, a sudden realization or a shocking revelation, the instances in which an undiscovered truth dawns on your character are important. Revelations don’t necessarily have to change the outcome of your story, but they should impact on your reader’s investment in the story, and therefore color how much

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