Murder

What Authors Need To Know About True Crime - A murderer drags along a bulging refuse sack.
Writing
Fred Johnson

What Authors Need To Know About True Crime

Ever since Truman Capote popularized the genre in 1966 with In Cold Blood, America has been obsessed with true crime, and that obsession has since spread across the world. The term refers to a particular genre in film and literature in which a real-world crime is treated like the central plot device in a work

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What Is ‘Fridging’, And How Can You Avoid It? - A man opens the fridge to discover a woman, who says 'spoiler alert'.
Writing
Robert Wood

What Is ‘Fridging’, And How Can You Avoid It?

What set your character on their path through the story? Yes, they should have a goal, but why is that goal so important to them? What kind of event is enough to justify telling a whole story about the reaction? A talented author can turn pretty much any event into a justifiable reason to follow

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Character Alignment Can Improve Your Book With A Simple Grid - A character throws dice, an angel and a devil over his shoulders.
Writing
Robert Wood

Character Alignment Can Improve Your Book With A Simple Grid

One of the hardest parts of creating a character – let alone enough of them to tell a story – is knowing where to begin. Their function within the story is paramount (that’s what they’re ‘for’ after all), but after that, how do you start putting together complex, consistent, and engaging people? There are many

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Want To Disturb Your Readers? Mastering The Uncanny Is The Answer - A horrific ghost emerges from a book, terrifying the reader.
Writing
Robert Wood

Want To Disturb Your Readers? Mastering The Uncanny Is The Answer

Half the battle of writing a great book is getting the reader to emotionally invest in your story. The most successful form of this sees the reader caught up in the moment, and it’s an experience that we’ve tried to catch again and again in the language of clichés. A great tale leaves you on

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