Few genres have such a distinctive look and feel as noir fiction. A successor of ‘hard-boiled’ or ‘pulp’ fiction, you’ll know the conventions of noir even if you’ve never read The Maltese Falcon or The Big Sleep – seedy urban underbellies, trench-coat-clad PIs, cigarettes, femme fatales, whiskey, flickering streetlights casting white pools on Chicago streets, nihilistic
Is there such a thing as a perfect cast of characters? A pure, alchemical recipe of personalities that promises the most engaging narrative a reader could ask for? No, of course not – it’s the events of the story that dictate what it needs from its cast, and what works well for one tale will
Tony Lee Moral is the author of three books on Alfred Hitchcock: Hitchcock and the Making of Marnie; The Making of Hitchcock’s The Birds and Alfred Hitchcock’s Movie Making Masterclass. His new novel, a Hitchcockian suspense mystery, Ghost Maven, is published by Cactus Moon Publications. When plotting my new novel Ghost Maven, I could find no
Exposition is one of those horrible parts of writing that you have to get exactly right. Too much or too little and the reader will notice straightaway, rolling their eyes at your inability to explain things directly. It’s an unfair reaction, especially when there are so many things to explain. ‘Exposition’ is the part of
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