It doesn’t take a genius to see the differences between a novel and a screenplay. They look different on the page, what with the screenplay’s centered text, block-capital names, and bracketed direction. Not only that, but screenplays tend to be far thinner on the page count, too. You can roll one up pretty easily and use
Exposition is one of those horrible parts of writing that you have to get exactly right. Too much or too little and the reader will notice straightaway, rolling their eyes at your inability to explain things directly. It’s an unfair reaction, especially when there are so many things to explain. ‘Exposition’ is the part of
A MacGuffin (or McGuffin, or Maguffin) is a plot device common to some of the most successful stories ever written. Your characters will obsess over how to find it, search jungles and alien worlds to get their hands on it, and kill to keep it, and yet many people will tell you it has no
A Christmas Carol, The Catcher in the Rye, Heart of Darkness. Other than stellar writing and compelling characters, what makes a story stand the test of time? How do certain novels achieve the lofty ‘classic’ status while others fade into relative obscurity? The answer is all in the subtext. Authors like Charles Dickens, J.D Salinger and
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