One of the biggest hurdles when improving a story is moving past its original form. While authors instinctively set to work improving character, dialogue, description, action, and voice, most consider the first plot structure they set down on the page to be the definitive version. As a consequence, important elements of a story are improved,
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Recently (in 3 Writing Myths You Should Feel Free To Ignore), we talked about why it might be okay to vary your dialogue tags or make strategic use of the passive voice, and what it actually means to write realistic dialogue. Today, I’d like to call into question a few more myths about what writers
First things first: no, I’m not talking about the Arthur Miller play The Crucible or the film starring Daniel Day-Lewis. There will be no witches or men getting crushed to death by stones here, I’m afraid. Instead, a literary crucible is a narrative mechanism coined by writer James Frey designed to help out writers whose
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