Despite what Isabel Briggs Myers has taught us, real people’s personalities can usually be difficult to fit comfortably into neat little categories. People can be both introverted and extroverted, and go from being supremely self-confident to shrinking violets depending on their situation. The task of imbuing something as complex and unique as a personality onto
Exposition is one of those horrible parts of writing that you have to get exactly right. Too much or too little and the reader will notice straightaway, rolling their eyes at your inability to explain things directly. It’s an unfair reaction, especially when there are so many things to explain. ‘Exposition’ is the part of
In part 1 of this guide to writing a thrilling argument, I touched on character motivation, reader interest, and the central truth that an argument follows almost all the same rules as a fight scene. We paused on the idea that your characters should want to win, and they may rush past lesser arguments to
Good writers are always looking for ways to improve their craft, but great writers are prepared to beg, borrow and steal so long as it gets them the best advice and the most effective devices for telling their story. That’s why in this article I’m going to mug poetry, rifle through its pockets, and bring
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