Have you ever read a book where every character – from the six-year-old in pigtails to the wizened sea captain to the stripper – sounds the same? It’s easy for authors to stumble into this mono-tone pitfall. The task of writing a story is already monumental, and adopting a narrative voice appropriate to the story
MacArthur Fellow Cormac McCarthy is one of those rare writers who has managed to perch on the fence between literary and popular fame. Helped in no small part by the brilliant film adaptations of his novels No Country for Old Men and The Road, McCarthy’s books have found a broader audience than they might have, and
Your characters’ thoughts and beliefs are the bedrock of their existence. Every action should flow naturally from them, every piece of dialogue or gesture should be written with them in mind. Eventually, though, it’s time to address the thoughts themselves – not as the foundation for other behaviour, but as the vital characterization they are.
Have any questions? We are always open to talk about your writing, publishing projects, creative opportunities and how we can help you.
