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If editing a book is hard (and it is), editing your own book is five times harder. After all, this is likely to be something you care about as if it’s a part of you, but even if the stakes weren’t raised, you’d still be in the unenviable position of second-, third-, and fourth-guessing your own decisions. Compounding these difficulties is the fact that your relationship with a book isn’t …
[Read more...] about How To Manage Your Relationship With A Book As You Self-Edit
When it comes to writing a story, the beginning and the end tend to get all the attention. If you’re relating a story, you’re probably going to explain where things begin, the central goal, and whether or not it’s reached. If an author manages to produce a particularly gripping middle – the Battle of Helm’s Deep or the narrator switch in Gone Girl – it might get a mention, but otherwise it tends …
[Read more...] about Is The Middle Of Your Story Letting You Down?
Theme is one of the first aspects of literary critique that we learn about in school and one of the first things we forget when it comes to improving our work. It’s an odd dichotomy so ingrained that many authors will proudly declare that they have no idea what themes are at play in their work. With all that being the case, is there really a case for deliberately involving theme in the editing …
[Read more...] about Why Appreciating Your Theme Will Improve Your Writing
One of the biggest hurdles when improving a story is moving past its original form. While authors instinctively set to work improving character, dialogue, description, action, and voice, most consider the first plot structure they set down on the page to be the definitive version. As a consequence, important elements of a story are improved, but they all remain married to the most basic version of …
[Read more...] about Do You Really Need To Start At The Beginning?
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[Read more...] about Judy Blume MasterClass Review: Is It Worth Your Money?
How do you introduce a character? With an action, with dialogue, via someone else, before they’re even in the scene? The ideal approach depends on the story, but a character sketch – a short passage that focuses on an immediate, extensive description of who the character is and what they look like – is perhaps the most common choice. There’s good reason for that, but while character sketches …
[Read more...] about Is A Character Sketch The Best Way To Introduce Your Characters?
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