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Like a lot of literary theory, the concept of carnivalesque literature works on a number of levels. The first of these is pure inspiration; it’s a source of striking narratives and imagery that can spark ideas and add to your narrative. The second is as an observation of societal behavior – the carnivalesque describes a consistent model of cause, effect, and motivation that, if understood, allows …
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When it comes to writing description, advice tends to be sparse. Where should you focus? What’s important? When has a descriptive passage outstayed its welcome? They’re difficult questions because they deal with subjective tastes, but there’s one piece of advice that you can use as your guiding light. It’s that piece of advice that we’ll be considering today, as well as a few other descriptive …
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Is a writing retreat right for you? To some, it sounds indulgent, but there are other ways of asking the same question. For example, do you find yourself working constantly? When you slow down and take time for yourself, do you feel guilty? Are you in a constant state of busyness? For some, this feels like the only sure path to success. For others, it seems like a necessity – there are simply too …
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If you’re a young person in the modern workforce (or you know one) you’re likely familiar with job listings that target their salaries and responsibilities at recent graduates while asking for a decade or more of experience in the field. ‘How can I get experience if you won’t give me any experience?’ goes the job-hunter’s lament. For writers, the same frustration can apply; it can be incredibly …
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If genre fiction is Die Hard, The Notebook, and The Hangover – stuff you watch to relax and eat popcorn to – literary fiction is the opposite. It’s the Citizen Kane, The Pianist, the There Will Be Blood of the literary world – books you wouldn’t necessarily call a ‘good time’ but that are artistic, intelligent, and affecting on some deep level. To be lazy and reductive: literary fiction is a …
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When it comes to Ursula K. Le Guin, ‘inimitable’ is the first word that comes to mind. Multi-time winner of the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, and author of The Earthsea Cycle, The Left Hand of Darkness, and The Word for World Is Forest, her novels are genre-busting spectacles and her poetry explains why poetry is still alive in the 21st century. She’s prolific, …
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