Time: you can ignore it, but you can’t escape it. With that sobering thought out of the way, let’s examine just what can be done about time in fiction. Just like in the real world, time and chronology will be present in your fiction whether you want them to be or not. You can choose
Have you ever read a book where every character – from the six-year-old in pigtails to the wizened sea captain to the stripper – sounds the same? It’s easy for authors to stumble into this mono-tone pitfall. The task of writing a story is already monumental, and adopting a narrative voice appropriate to the story
Ernest Hemingway might just be the most imitated writer of the past hundred years. His signature bare-bones style has gone on to inform pretty much every aspect of what we consider best practice in modern writing, and he’s been explicitly cited by writers including Stephen King, Raymond Carver, Ray Bradbury, and dozens of others. Hell,
As far as literary tools go, doubling and doppelgängers aren’t exactly the most inviting. Doubles can be difficult to define, and umlauts don’t scream ‘easily accessible’. Despite this, it’s worth persevering, because these tools are a lot more versatile than you might think, strengthening themes and plot points, and forging connections within your story that
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