How do you introduce a character? With an action, with dialogue, via someone else, before they’re even in the scene? The ideal approach depends on the story, but a character sketch – a short passage that focuses on an immediate, extensive description of who the character is and what they look like – is perhaps
When you see the words ‘reader trust’, it’s pretty obvious what they mean. When a reader approaches a new work they have no way to know that they’ll enjoy it. In fact, they have no way to know that it’s something they won’t find boring, offensive, or even distressing. Part of consuming art is taking
Recently (in 3 Writing Myths You Should Feel Free To Ignore), we talked about why it might be okay to vary your dialogue tags or make strategic use of the passive voice, and what it actually means to write realistic dialogue. Today, I’d like to call into question a few more myths about what writers
When was the last time you were afraid – I mean really afraid? Close your eyes and play the scene. Try to capture everything: the sounds and the smells, what you saw and how your body reacted. What did you do afterward to cope with those feelings of fear? Can you identify why the event
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