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Sometimes, you’re midway through a story and you suddenly realize what you need to change to make it work. A later development requires some earlier foreshadowing, or you need to remove a detail so your new path makes sense. It’s a lightbulb moment, and often the point where a story really comes together for many writers, but what do you do if you can’t make the change? In fact, what do you do if …
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Like a lot of literary theory, the concept of carnivalesque literature works on a number of levels. The first of these is pure inspiration; it’s a source of striking narratives and imagery that can spark ideas and add to your narrative. The second is as an observation of societal behavior – the carnivalesque describes a consistent model of cause, effect, and motivation that, if understood, allows …
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Most authors who have tried to get published have heard of high-concept fiction, though the concept (pun totally intended) can be a little fuzzy. Let’s talk about what ‘high concept’ means and how you can make it part of your writing repertoire. ‘High concept’ defined The idea is fairly simple: high-concept writing places high value on the story’s concept. I boil it down to these four qualities, …
[Read more...] about What Is ‘High-Concept’ Fiction, And How Can I Write It?
Twenty years ago, you might not have heard of George R. R. Martin, who, at that time, would have been merely the author of the modestly successful fantasy novel A Game of Thrones. In the years following, he would produce the sequels A Clash of Kings, A Storm of Swords, and A Feast for Crows, all of which made big splashes in the world of fantasy literature but didn’t stray beyond their own niche …
[Read more...] about 5 Things George R. R. Martin Can Teach You About Writing
It’s true that sports have had a difficult time breaking out of nonfiction (after all, there’s certainly no shortage of sports memoirs, biographies, and histories); despite the efforts of writers including Ernest Hemingway, Alan Sillitoe, Nick Hornby, David Foster Wallace, and Haruki Murakami, sports rarely seem to muscle into the literary sphere, and that’s a shame. Done well, a sharp game of …
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Sometimes, the best way to prove that something in your story is dangerous is to throw a character at it. Want to show how threatening a character or situation is? Have them immediately kill someone, because who could deny that evidence? Of course, it’d be a shame to use up a real character just to prove that the villain isn’t messing around, so the next logical step is to create a character …
[Read more...] about How To Avoid Writing A Redshirt Character
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