Not all works of fiction rely on a cast made up exclusively of deep, complex, and inscrutable characters. Some need a character that the audience can inhabit or possess; a platform for the reader to survey the world from and a mouthpiece for their own questions and thoughts. Such ‘reader proxy’ (or, in the case
This is Part 2 of this article – Part 1 can be found here. In Part 1 of this article, we explored how psychological experiments and theories of the past can help you influence your characters to misremember and misunderstand reality, and how sophisticated techniques give you more power over your readers than you might
For many authors, psychology is a godsend, lending them new insights into the workings of the human mind that take their work to the next level. Not only that, but many psychological theories and experiments make their way into the cultural landscape, shaping what readers expect from their stories and what’s considered realistic in fiction.
In life, we can tell a lot about a person by how they dress. We make first impressions – right or wrong – about someone’s personality, values, priorities, and preferences by what they wear. These impressions may be undermined and revised over time as we get to know a person, or perhaps they only get
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