When it comes to choosing the point of view for your book, the second person is unlikely to get much consideration. Volumes have been written on the emotional impact of the first-person ‘I’, and on the scope and flexibility of the third-person ‘he/she/it’. In comparison, the second-person ‘you’ rarely merits more than a paragraph. Don’t
Ah, the humble paragraph. If not the most basic tool in the writer’s toolbox, then certainly in the top five. Of course, like any basic tool, we take it for granted, to the point where many writers don’t know how much they can get from managing their paragraphs or, worse, are making basic mistakes that
The ‘how long?’ question has to be one of the most commonly asked by new authors – perhaps even experienced ones, too. It was certainly one of the first to pass my lips when I met my editor to discuss my first children’s book. “What’s the age range?” she asked me when I broached the
So you’ve prepared your synopsis, written an amazing pitch, and received an offer of representation from an agent! (Or you’re just planning for the day when that’s true.) Congratulations – this is the stage many authors dream of, and you should feel incredibly proud. Because it takes so much work to receive an offer, there’s
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