Inciting incident, key event, plot point… they’re useful terms for those who are comfortable with them, but more often than not, they’re treated as if they’re interchangeable. Sadly, these are terms that authors have treated pretty poorly over the years. They’ve swapped places, been used as synonyms, and eventually ended up as a homogeneous mass that
If you’ve ever read an authors’ ‘How To’ book, attended a creative writing class or pretty much sought writing advice of any kind ever, you’re bound to have run into this phrase: ‘always start with the action’. It’s probably as ubiquitous as ‘show don’t tell’ and ‘do not, under any circumstances, use Comic Sans. EVER’.
I think most creative people have trouble throwing things away. Not in a hoarder-esque, ‘I’m currently typing this while walled-in by newspaper towers’ kind of way. No, it’s more ‘waste not, want not’ practicality than kleptomaniac-tinted nostalgia. It’s that lingering feeling: ‘Surely this will be useful, later.’ This same feeling can apply to your writing ideas,
There are as many types of antagonist as there are protagonist – a villain for every hero (maybe more than one). We’ve talked before about how to write sympathetic antagonists, how to write villains that your reader trusts, and even how to write a story with no antagonist at all, but what about when you
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