Sometimes a story needs a genius. An expert, unparalleled in their field, with a theory that just might be right. And yet smart characters are a huge risk for any writer. Get them right and the reader will be as impressed with the writer as they are with the character, but get it wrong and
The conventional wisdom about flashbacks goes something like this: use them sparingly, if at all. It’s good advice, because a mishandled flashback can stunt the flow of your narrative, lose a reader’s interest, harm suspension of disbelief, create confusion, or cause any number of other problems. But, don’t be discouraged, flashbacks can work, and they’re worth
Despite being a necessary and enjoyable part of most narratives, backstory is a bit of a storytelling anomaly. The more complex or involving a story the author is telling, the more time they’re forced to spend outside it. Readers want to know where fascinating characters came from, and that means exploring events you may never
What is it about crime stories? Even the authors who write them can’t agree, with some declaring it’s the satisfaction of confronting evil and others declaring it’s the vicarious thrill of participating in it. Either way, crime novels are popular. No matter what bookstore you enter, you’ll find a crime section. With so many novels
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