Seeing, hearing, touching, tasting and smelling. They’re the senses everyone knows – the way we interact with and understand the world around us – and yet so often, authors forget them when writing a story. That’s a shame, because sense writing is one of the surest ways to enliven a scene and fix your reader
Whether it’s a muddy siege on a Medieval castle, rugged cowboys firing pistols from horseback, or a laser-beam shoot-’em-up in another galaxy, a great battle scene is a staple of action stories. High stakes, high body count, and – if it is in space – really, really high up. We’ve covered the fundamentals of writing a
You know that famous phrase, ‘imitation is the sincerest form of flattery’? How about, ‘fake it ‘til you make it’? And what about, ‘to the left, to the left, everything you own in a box to the left’? Okay, that last one is totally irrelevant to this article, but still a stone-cold classic from Beyoncé’s
Inciting incident, key event, plot point… they’re useful terms for those who are comfortable with them, but more often than not, they’re treated as if they’re interchangeable. Sadly, these are terms that authors have treated pretty poorly over the years. They’ve swapped places, been used as synonyms, and eventually ended up as a homogeneous mass that
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