Good writers are always looking for ways to improve their craft, but great writers are prepared to beg, borrow and steal so long as it gets them the best advice and the most effective devices for telling their story. That’s why in this article I’m going to mug poetry, rifle through its pockets, and bring
We’ve talked before about the benefits multiple antagonists can bring to a story – and how to give each a unique purpose in the narrative – but what are authors supposed to do when those antagonists are on different sides and, like any interesting characters, have specific, often contradictory, goals? Antagonistic forces have natural potential to not
Seeing, hearing, touching, tasting and smelling. They’re the senses everyone knows – the way we interact with and understand the world around us – and yet so often, authors forget them when writing a story. That’s a shame, because sense writing is one of the surest ways to enliven a scene and fix your reader
Whether it’s a muddy siege on a Medieval castle, rugged cowboys firing pistols from horseback, or a laser-beam shoot-’em-up in another galaxy, a great battle scene is a staple of action stories. High stakes, high body count, and – if it is in space – really, really high up. We’ve covered the fundamentals of writing a
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