Funny words are the backbone of some of the most enjoyable stories in the English language. Whether it’s Roald Dahl’s frobscottle, Dr. Seuss’ thneeds, or even Douglas Adams’ Zaphod Beeblebrox, choosing the right word can win your story a permanent place in your readers’ hearts. That’s not to say that funny words are only important
I think most creative people have trouble throwing things away. Not in a hoarder-esque, ‘I’m currently typing this while walled-in by newspaper towers’ kind of way. No, it’s more ‘waste not, want not’ practicality than kleptomaniac-tinted nostalgia. It’s that lingering feeling: ‘Surely this will be useful, later.’ This same feeling can apply to your writing ideas,
The ‘how long?’ question has to be one of the most commonly asked by new authors – perhaps even experienced ones, too. It was certainly one of the first to pass my lips when I met my editor to discuss my first children’s book. “What’s the age range?” she asked me when I broached the
How do you go about introducing a protagonist, let alone introducing a hero? First impressions are even more long-lasting in fiction than in real life, and your reader’s first experience with your protagonist is likely to define how they understand everything that comes after. That means it’s important to give a clear impression, guaranteeing you’re
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