Rebecca Langley

It is Rebecca’s delight and privilege to work as an editor. She’s worked across multiple genres and specializes in maintaining author voice and style, so that your story is YOUR story – polished.
How To Find The Story In Your Non-fiction Project - An author drops books into a cauldron, the best version emerging in a cloud.
Writing
Rebecca Langley

How To Find The Story In Your Nonfiction Project

Is there such a thing as actual nonfiction? In short, yes, but it almost always comes in the form of graphs, bone-dry reports, and scientific studies where the authors deliberately fight against a sense of narrative in favor of pure fact. Everything else – diaries, memoirs, historical writing – has a dash of narrative in

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Another 3 Writing Myths You Should Feel Free To Ignore - An author reads a book, a question mark filling her thought bubble.
Writing
Rebecca Langley

Another 3 Writing Myths You Should Feel Free To Ignore

For a while now, we’ve been putting overly rigid writing advice under the microscope with 3 Writing Myths You Should Feel Free To Ignore and 3 (More) Writing Myths You Should Feel Free To Ignore. Today, we’re back in the lab, examining more absolutes to see if they belong in your writing. Myth #7: Write what you

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The Color-Coding Technique That Will Save Your Writing - A character with rainbow hair reads a book, complaining that it's bland via an icon of a bottle of milk.
Writing
Rebecca Langley

The Color-Coding Technique That Will Save Your Writing

A while back, we talked about reasons people will put a book down and how to make sure it isn’t your book they’re ditching by page 13. One major thing that turns readers off is a book that’s too homogeneous – it’s all the same, page after page. Books that are homogeneous are easy to drop,

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3 (More) Writing Myths You Should Feel Free To Ignore - An author in glasses reads a book, a question mark by his head.
Writing
Rebecca Langley

3 (More) Writing Myths You Should Feel Free To Ignore

Recently (in 3 Writing Myths You Should Feel Free To Ignore), we talked about why it might be okay to vary your dialogue tags or make strategic use of the passive voice, and what it actually means to write realistic dialogue. Today, I’d like to call into question a few more myths about what writers

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