This is a companion piece to How To Write A Damn Good Man, and takes a similar approach to considering gender in characterization. Perhaps the most succinct piece of advice I’ve ever heard for writing female characters came from comedy writer Erin Gibson. Just write a dude and slap a skirt on him. I’d love to just leave
It’s all too easy for writers to burn out. Whether it’s writer’s block or just one of those days, sometimes you wish that your novel would just write itself, or that that plot research would just be done already. If only there was an easier way. Instead of reading through the minutiae of Strunk and White’s
Horses, mounts and other kinds of steed are the forgotten heroes of an adventurer’s story, but even when charging through crowds of orcs and goblins, they’re often the most unrealistic creatures in it, too. Thanks to Hollywood, we’re accustomed to seeing cowboys riding from sunrise to sunset without pause, or wild steeds successfully wrangled and
Few writers of fantasy (or any other genre) can claim to be as wildly successful as Neil Gaiman. The mild-mannered English writer has long been a kind of literary rock star; his novel American Gods picked up several awards in 2001, his novel Stardust was made into an acclaimed movie in 2007, and his The Sandman comic series
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