Sitting down to knock out a 140,000 word novel can be a daunting task. That blank page stares back at you, the emptiness only emphasized by the impatient flashing of the type tool. But, once you get stuck in, the words usually start to flow easily, and that word counter gets higher and higher, until… Oh. You’re
Nothing gets a reader to love a book quite so much as getting them to engage with it. Passive readers experience a story and move on, but engaged readers mull over the plot, theorize about character motivations, and fantasize about paths not taken (sometimes enough to write them), all while the years go by and
Have you ever been pulled over by the grammar police for head-hopping? It’s one of the most common editor pet peeves, but a device many authors swear by, claiming that their readers certainly aren’t complaining. Maybe not, but I’d still advise against it, and in this article, I’ll be telling you why. First, though, we
Few genres have such a distinctive look and feel as noir fiction. A successor of ‘hard-boiled’ or ‘pulp’ fiction, you’ll know the conventions of noir even if you’ve never read The Maltese Falcon or The Big Sleep – seedy urban underbellies, trench-coat-clad PIs, cigarettes, femme fatales, whiskey, flickering streetlights casting white pools on Chicago streets, nihilistic
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