It’s all too easy for writers to burn out. Whether it’s writer’s block or just one of those days, sometimes you wish that your novel would just write itself, or that that plot research would just be done already. If only there was an easier way. Instead of reading through the minutiae of Strunk and White’s
Few genres have such a distinctive look and feel as noir fiction. A successor of ‘hard-boiled’ or ‘pulp’ fiction, you’ll know the conventions of noir even if you’ve never read The Maltese Falcon or The Big Sleep – seedy urban underbellies, trench-coat-clad PIs, cigarettes, femme fatales, whiskey, flickering streetlights casting white pools on Chicago streets, nihilistic
Pathos is down on its luck these days; appeals to emotion are bound up in reasonable fears of ‘post-truth’ and ‘populist’ writing, but I’m here to tell you that intelligent use of pathos can make your fiction better. Now, pathos certainly has its dark side. Many of the TV, radio, and internet adverts we’re bombarded
Few writers of fantasy (or any other genre) can claim to be as wildly successful as Neil Gaiman. The mild-mannered English writer has long been a kind of literary rock star; his novel American Gods picked up several awards in 2001, his novel Stardust was made into an acclaimed movie in 2007, and his The Sandman comic series
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