Theme is one of the first aspects of literary critique that we learn about in school and one of the first things we forget when it comes to improving our work. It’s an odd dichotomy so ingrained that many authors will proudly declare that they have no idea what themes are at play in their
One of the biggest hurdles when improving a story is moving past its original form. While authors instinctively set to work improving character, dialogue, description, action, and voice, most consider the first plot structure they set down on the page to be the definitive version. As a consequence, important elements of a story are improved,
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How do you introduce a character? With an action, with dialogue, via someone else, before they’re even in the scene? The ideal approach depends on the story, but a character sketch – a short passage that focuses on an immediate, extensive description of who the character is and what they look like – is perhaps
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