When you see the words ‘reader trust’, it’s pretty obvious what they mean. When a reader approaches a new work they have no way to know that they’ll enjoy it. In fact, they have no way to know that it’s something they won’t find boring, offensive, or even distressing. Part of consuming art is taking
What set your character on their path through the story? Yes, they should have a goal, but why is that goal so important to them? What kind of event is enough to justify telling a whole story about the reaction? A talented author can turn pretty much any event into a justifiable reason to follow
Taste is subjective, but at the core of whether or not a book finds an audience is its ability to invite the reader in; to become an experience the reader is having, rather than just a second-hand account. Achieving this feat is usually a mix of content and style, but if it’s something you want
Editing your own work is a minefield of decisions, your map to safety cobbled together by tips and rules from a dozen different sources. Getting to the other side and publishing your book depends on hundreds of small choices, and it’s easy to find yourself halfway through a project, doubting every choice you’ve made so
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